music

". . . offering 20 ready-to-use storytime plans tailored to specific age groups, including babies, toddlers, preschool and all-ages programs . . .; advice and best practices gleaned from interviews with professionals who specialize in storytimes, music making with children and families, yoga storytime, and drama education; and lists of recommended resources, from interactive print booksto children's music and videos available digitally, with tips on choosing the best materials"--Provided by publisher.

While any career requires a certain amount of hard work, perseverance and talent, that is especially true of musical artists and others in the music industry. The competition, changing audience tastes, and the difficulty of just getting that first big break, let alone maintaining a successful career, can be daunting.

"In a fantastical version of New Orleans where music is magic, a battle for the city's soul brews between two young mages, a vengeful wraith, and one powerful song"--Provided by publisher.

"A picture book based on Ziggy Marley's popular song celebrating music's many forms, from the sounds of ocean waves to laughter in the family kitchen, from a loved one's laughter to the "river's latest tune," [the author] reminds children everywhere that you don't need an instrument to create a beautiful song . . . a sweet and uplifting ode to the power and beauty of song"--Adapted from publisher description.

"A legendary record producer-turned-brain scientist explains why you fall in love with music. This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it's also a story of a musical trailblazer who began as a humble audio tech in Los Angeles to became Prince's chief engineer for Purple Rain, and then create other No. 1 hits (including Barenaked Ladies' "One Week") as one of the most successful female record producers of all time"--Provided by publisher.

Teaches the principles of reading music in staff notation.

"This [book] takes an expansive and inclusive approach meant to broaden and challenge traditional views of music and technology. In its most common use, 'music technology' tends to evoke images of twentieth and twenty-first century electronic devices: synthesizers, recording equipment, music notation software, and the like. This volume, however, treats all tools used to create, store, reproduce, and transmit music--new or old, electronic or not--as technologies worthy of investigation. All musical instruments can be considered technologies. The modern piano, for example, is a marvel of keys, hammers, strings, pedals, dampers, and jacks; just the sound-producing mechanism, or action, on a piano has more than 50 different parts. In this broad view, technology in music encompasses instruments, whether acoustic, electric, or electronic; engraving and printing; sound recording and playback; broadcasting; software; and much more. This volume challenges the view that technology is unnatural, something external to music. It was sometimes said in the early twentieth century that so-called mechanical music (especially player pianos and phonographs) was a menace to 'real' music; alternatively, technology can be freighted with utopian hopes and desires, as happens today with music streaming platforms. Positive or negative, these views assume that technology is something that acts upon music. By contrast, this volume characterizes technology as an integral part of all musical activity and portrays traditional instruments and electronic machines as equally technological"--Provided by publisher.

Amie struggles to find herself through friendship and music in the wake of her father's death.

"What happens when musical instruments can't make the sounds we expect them to make? Is music still possible? The schools of Philadelphia were filling up with broken violins, drums, pianos, and more, making it difficult for students to learn to play. This sparked an idea for a symphony, played entirely with the broken instruments, that would raise funds to repair the instruments themselves. Musicians young and old volunteered, and their captivating performance showed that even something broken can sing--and that great music is always possible with a bit of inventiveness and improvisation. Based on a true story, this book celebrates a community coming together to make a joyful, meaningful noise"--Dust jacket.

"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips. Then the Palladium Ballroom issued a bold challenge to segregation and threw open its doors to all" -- Amazon.