(1969

Is there a unicorn wandering around Woodstock? Or is it just a figment of some hippie's imagination? Marcus, Jorge, and Elena will have to find out as T?o sends them back to the Summer of Love.

Explores the historical events surrounding the Woodstock music festival with photographs of the headliner rock stars who performed during the three-day concert, including The Who, Janis Joplin and Santana.

A history of the rock concert that was the dream of four men and became a reality in 1969.

Offers insights on how the 1969 Woodstock music festival is still making an impact on pop culture, while candid interviews, set lists, and photographs relive the chaos and once-in-a-lifetime performances at Yasgur's farm.

The fiftieth anniversary edition that chronicles the three-day rock festival at Woodstock in upstate New York in August 1969, with interviews and quotes from those who attended, photographs, and media coverage.

This documentary film captures the unique communal experience and many of the performances of the most famous of outdoor rock concerts.

If Woodstock tied the ideals of the '60s together, Altamont unraveled them. Writer and critic Saul Austerlitz tells the story of "Woodstock West," where the Rolling Stones hoped to end their 1969 American tour triumphantly, with the help of the Grateful Dead, Jefferson Airplane, and 300,000 fans. Instead, the concert featured a harrowing series of disasters, starting with its haphazard planning. The bad acid kicked in early. The Hells Angels, hired to handle security, began to prey on the concertgoers. And not long after the Rolling Stones went on, an 18-year-old African-American named Meredith Hunter was stabbed by the Angels in front of the stage. The show, and the Woodstock high, was over. Austerlitz shows how Hunter's death came to symbolize the end of an era, while the trial of his accused murderer epitomized the racial tensions that still underlie America. He also finds a silver lining in the concert in how Rolling Stone's coverage of it helped create a new form of music journalism, while the making of the movie about Altamont, Gimme Shelter, birthed new forms of documentary. Using scores of new interviews with Paul Kantner, Jann Wenner, journalist John Burks, filmmaker Joan Churchill, and many members of the Rolling Stones' inner circle, as well as Meredith Hunter's family, Austerlitz shows that you can't understand the sixties or rock 'n' roll if you don't come to grips with Altamont.