lesbian fiction

When Sara Foster runs away from home at sixteen, she leaves behind not only the losses that have shattered her world but the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern. In her seventh year and fifth major as an undergraduate, she yearns for the beauty and community her Creole grandparents cultivated but is unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner. When Sara catches sight of Emilie one morning at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara's old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.

At Grimrose Acad?mie, the fairy-tale deaths continue. And unless the curse is broken, one of the girls could be next. Nani, Yuki, Ella, and Rory have discovered the truth about the curse that's left a trail of dead bodies at Grimrose. But the four still know nothing of its origins, or how to stop the cycle of doomed fates. And each girl harbors her own secret. One is learning why she was brought to the school. One struggles to keep her new and deadly power under control. One knows exactly how much time she has left. And one, trying to escape her dark destiny, will come even closer to fulfilling it. Can the girls change their own stories and break the curse? Or must one of them die to end it forever?.

Taylor Parker has always been a funny girl--but when she is accepted as a finalist for a diverse writers' internship at Saturday Night Live, it turns her life upside down. If she wants a shot at winning in a little more than a month, Taylor will have to come out about both of her secrets: She wants to be a comedian--and she's a lesbian. To keep her secret under wraps, she sneaks out to do improv and hides her sketches under the bed, and to distract from her anxiety about the competition, Taylor frequents Salem's Museum of Witchcraft to pine for Abigail Williams from the back row. It's at the Museum of Witchcraft where Taylor falls deeper in love with the girl who plays Abigail Williams--Charlotte Grey, an out and proud lesbian at Nathaniel Hawthorne High. So when Charlotte reaches out for help on a school project, Taylor readily agrees. As they spend more time together, Taylor sees what living her truth and pursuing her dreams could bring her, but Charlotte can't understand why someone as funny as Taylor wouldn't go all out to make the most of her opportunities. To live up to her own comedy dreams and become the person she wants to be, Taylor will have to find the confidence to tell everyone exactly who she is and what she wants.

"Seventeen is nothing like Codi Teller imagined. She's never crashed a party, never stayed out too late. She's never even been kissed. And it's not just because she's gay. It's because she and her two best friends, Maritza and JaKory, spend more time in her basement watching Netflix than engaging with the outside world. So when Maritza and JaKory suggest crashing a party, Codi is highly skeptical. Those parties aren't for kids like them. They're for cool kids. Straight kids. But then Codi stumbles upon one of those cool kids, Ricky, kissing another boy in the dark, and an unexpected friendship is formed. In return for never talking about that kiss, Ricky takes Codi under his wing and draws her into a wild summer filled with late nights, new experiences, and one really cute girl named Lydia. The only problem? Codi never tells Maritza or JaKory about any of it"--Amazon.com.

"Queer black girls team up to overthrow the patriarchy in the former kingdom of Cinderella"--Provided by publisher.

"Juliet, a self-identified queer, Bronx-born Puerto Rican-American, comes out to her family to disastrous results the night before flying to Portland to intern with her feminist author icon--whom Juliet soon realizes has a problematic definition of feminism that excludes women of color"--Provided by publisher.

"An openly gay track star falls for a closeted, bisexual teen beauty queen with a penchant for fixing up old cars"--.

"Competing for a first-prize trip to a Los Angeles film festival, die-hard romantic Emma and her archnemesis, the practical-minded Sophia, find their frequent clashes turning into something more"--Provided by publisher.

"Cynical twenty-three-year old August doesn't believe in much. She doesn't believe in psychics, or easily forged friendships, or finding the kind of love they make movies about. And she certainly doesn't believe her ragtag band of new roommates, her night shifts at a 24-hour pancake diner, or her daily subway commute full of electrical outages are going to change that. But then, there's Jane. Beautiful, impossible Jane. All hard edges with a soft smile and swoopy hair and saving August's day when she needed it most. The person August looks forward to seeing on the train every day. The one who makes her forget about the cities she lived in that never seemed to fit, and her fear of what happens when she finally graduates, and even her cold-case obsessed mother who won't quite let her go. And when August realizes her subway crush is impossible in more ways than one--namely, displaced in time from the 1970s--she thinks maybe it's time to start believing"--.

"Queer black girls team up to overthrow the patriarchy in the former kingdom of Cinderella"--Provided by publisher.