working poor

"'Class' paints an intimate and heartbreaking portrait of motherhood as it converges and often conflicts with personal desire and professional ambition. Who has the right to create art? Who has the right to go to college? And what kind of work is valued in our culture? In clear, candid, and moving prose, 'Class' grapples with these questions, offering a[n] indictment of America's educational system and a . . . testimony of a mother's triumph against all odds"--Provided by publisher.

"Eden, Kentucky, is just another dying, bad-luck town, known only for the legend of E. Starling, the reclusive nineteenth-century author and illustrator who wrote The Underland--and disappeared. Before she vanished, Starling House appeared. But everyone agrees that it's best to let the uncanny house--and its last lonely heir, Arthur Starling--go to rot. Opal knows better than to mess with haunted houses or brooding men, but an unexpected job offer might be a chance to get her brother out of Eden. Too quickly, though, Starling House starts to feel dangerously like something she's never had: a home. As sinister forces converge on Starling House, Opal and Arthur are going to have to make a dire choice: to dig up the buried secrets of the past and confront their own fears, or let Eden be taken over by literal nightmares. If Opal wants a home, she'll have to fight for it."--Provided by publisher.

Fifteen-year-old Sonny Bravo moves with his mother and her new husband to an apartment complex called The Flowers where he becomes caught up in the lives of his neighbors, and tries to do what he can to ease the racial tensions that threaten to destroy all of them.

"The story of low-wage workers rising up around the world to demand respect and a living wage. We Are All Fast Food Workers Now: The Global Uprising Against Poverty Wages traces the evolution of a new global labor movement sparked and sustained by low-wage workers from Manila to Manhattan, from Baja California to Bangladesh, from Capetown to Cambodia. This is an up close and personal look at globalization and its costs, as seen through the eyes and told whenever possible through the words of low-wage workers themselves: the berry pickers and small farmers, fast food servers, retail cashiers, garment workers, hotel housekeepers, home health care aides, airport workers and adjunct professors who are fighting for respect, safety and a living wage. The result of 140 interviews by award-winning historian Annelise Orleck, and with original photographs by Liz Cooke, this is a powerful look at neo-liberalism and its damages, a story of resistance and rebellion, a reflection on hope and change as it rises from the bottom up"--.

Deepak Singh chronicles his downward mobility as an immigrant to a small town in Virginia, where he moved to from India after earning his MBA, but was only able to get a minimum-wage job in an electronics store, confronting American mores and deeply entrenched racism in the process.

To discover how others exist on minimum wage, the author leaves her home, takes the cheapest lodgings she can find, and accepts whatever jobs she's offered. Moving from Florida to Maine to Minnesota, she works variously as a waitress, nursing home aide, and a Wal-Mart sales clerk. She learned many things, including the fact that one job is not enough: you need at least two if you intend to live indoors.

Fifteen-year-old Sonny Bravo moves with his mother and her new husband to an apartment complex called The Flowers where he becomes caught up in the lives of his neighbors, and tries to do what he can to ease the racial tensions that threaten to destroy all of them.